BENJAMIN CHRISTENSEN'S FILM ABOUT "WITCHCRAFT THROUGH THE AGES" BECOMES PART OF THE CRITERION COLLECTION!
I am not well-versed in the realm of silent film - to date, I think the only ones I've seen is 1925's THE LOST WORLD and THE CALL OF CTHULUH (2006). But I have to say that HAXAN looks pretty.... well.... crazy! Witches, child sacrifice, torture, evil nuns that smooch demons on the butt, and the Devil himself all make appearances in this silent epic! Up until now I've never really paid HAXAN any mind, but after watching the trailer for it, I now realize that I absolutely need to see it!
Synopsis: Grave robbing, torture, possessed nuns, and a satanic Sabbath: Benjamin Christensen's legendary silent film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered the same hysteria as turn-of-the-century psychiatric patients. Far from a dry dissertation on the topic, the film itself is a witches' brew of the scary, the gross, and the darkly humorous. Christensen's mix-and-match approach to genre anticipates gothic horror, documentary re-creation, and the essay film, making for an experience unlike anything else in the history of cinema.
Not Rated | Black & White | 105 & 76 minutes | Region A
Video - 1080p Fullscreen (1.33:1)
Audio - DTS-HD Master Audio 5.0
- NEW! 2K RESTORATION OF THE FILM!
- Music from the original Danish premiere, arranged by film-music specialist Gillian Anderson and performed by the Czech Film Orchestra in 2001, presented in 5.0 surround DTS-HD Master Audio on the Blu-ray and in Dolby Digital 5.0 on the DVD!
- Audio commentary from 2001 featuring film scholar Casper Tybjerg!
- Witchcraft Through the Ages (1968) - The seventy-six-minute version of Häxan, narrated by author William S. Burroughs, with a soundtrack featuring violinist Jean-Luc Ponty!
- Director Benjamin Christensen's introduction to the 1941 rerelease!
- Short selection of outtakes
- Bibliothèque Diabolique: A photographic exploration of Christensen's historical sources!
- NEW! An essay by critic Chris Fujiwara, remarks on the score by Anderson, and (Blu-ray only) an essay by scholar Chloé Germaine Buckley!